New Summer Classes at BOOTCAMP FOR NOVELISTS

Don't miss out on these exciting summer clinics at Bootcamp for Novelists!

July 22 to September 2
C1 Applying the Hero's Journey
Mythology was made famous by Joseph Campbell and later applied to screenwriting andstorytelling by Hollywood, yet the principles of this powerful tool to readers'subconscious common links are still only vaguely understood. Learn how the archetypes areactually placeholders and that the journey itself takes many forms. This course is sixweeks long and features considerable discussion as well as exercises for employing the"Journey" method.
Fee: $48


August 5 to September 16
LS1 Secrets To Writing a Killer Synopsis
Plus: Query Letter and First Three Chapters
The best story in the world won't sell if the editor can't get past the query letter and the synopsis. Most publishers give very specific guidelines on what they want in a submission, but they don't tell you how to make your submission stand out among the hundreds they receive daily. In this class, you'll learn the secret to do just that. This is a 6-week class in which you'll get direct feedback on your work. It is recommended that you have completed at least half of your manuscript in order to get the most from the class.

In this class we'll cover:
The Rules
Basic Presentation
Query Letter format --how to show individuality, style and a compelling story in one page.
The cover letter
The Synopsis - what's the secret?
Showing individuality, voice, style and a compelling story in a short synopsis.
Overview on the first three chapters of your novel

Register now! Get the tools that will help bring your proposal to the editor's attention...and make her want to read more!
Fee: $48

Enroll Now! http://bootcampfornovelists.com/ls-courses/l-course-ls-clinic-1-perfect-prop.html


AND THERE'S MORE. THE BOOTCAMP PACKAGES ARE BACK!
Each of these packages include the four fundamental courses of each Bootcamp track (basicand polish) and cover the same material as the individual Bootcamps. There will be a one-week break between each course, and you still have the option of registering for each Bootcamp individually, just without the package discount

PILLARS OF STRUCTURE PACKAGE
Begins September 30
1B - Creating Characters
2B - Dynamic Plotting
3B - Sculpting Scenes
4B - Conflict That Sizzles
These four courses develop your basic writing skills and give you the foundation for writing your book. You'll go through step-by-step exercises that can sometimes befrustrating but are designed to help you identify how to create the memorable characters,can't-put-it-down plotting, and tense, crackling scenes that are found in all the bestbooks. Plus, knowledge at a bargain.

Individual courses are $28 each. You'll save $20 by enrolling in the combined package. PACKAGE FEE: $92

TECHNIQUES OF THE PROS PACKAGE
Begins November 11
1P - The First Three Chapters
2P - Deepening Character
3P - Escalating Consequences
4P - Creating Strong Subplots
The advanced techniques in these four classes are designed to expand and build on your basic foundation skills to take your writing to another level. The lessons and exercises,using your own work, will give you hands on experience as you learn the concepts and practice the techniques that make a bestseller...complex stories with memorable characters that readers will remember long after they've turned the last page.

Individual courses are $28. You'll save $20 by enrolling in the four-class package.
PACKAGE FEE: $92
For more information or to enroll, go to http://bootcampfornovelists.com/

The Rules of Engagement...

The Rules of Engagement...

No, I’m not talking about Prince William and his new fiancé, winsome commoner, soon-to-be-royalty, Kate. Or is it now Katharine? Actually, I could talk about the subject at length because I write romance novels and a tale of a Prince and a commoner falling in love and living happily ever after is a great story. But I won’t because you’ll soon hear more than you ever wanted to hear about the royal couple from the media...and because that’s not what I wanted to talk about. Besides, the Pygmalion/opposites attract theme sounds a little familiar, doesn’t it? Cinderella, Sabrina, The Way We Were, Pretty Woman, My Fair Lady, Breakfast at Tiffanys, Overboard, The King and I, African Queen and even Shrek are all variations on that theme, so really, it’s been done to death, hasn’t it.

Actually not. Those stories are, in a way, exactly what I was planning to talk about. The opposites attract/happily ever after stories, while seeming cliché, are timeless. They win readers’ (or movie fans) hearts. They win hearts because they contain certain elements that appeal to wide audiences. They win hearts because the authors followed The Rules of Engagement…and that is what I wanted to talk about.

Never heard of those rules? Me either, at least not formally. So, I’ll go ahead and create that rule right now. The way to make your story win readers’ hearts is to follow The Rules of Engagement.

Readers choose to buy a book because something about it interests them, be it an evocative title, stunning cover, an enticing back cover blurb or can’t-put-it-down first paragraph. Usually, it’s a combination of all of the above, and when that happens, the reader becomes engaged. But only temporarily. Our job as writers is to continue engaging…and that’s where The Rules come in.

I’m not a fan of rules in any art or craft…other than you have to know them in order to break them, but I absolutely believe certain elements must be present at the beginning of a story in order to engage the reader. Hence ... The Rules of Engagement. Not being a rule lover, I confined my rules to only those I feel are absolutely necessary. In order to engage a reader immediately, your story must have:

1. A sympathetic character the reader can identify with, worry about and root for
2. Empathy – universal emotions that the majority of readers can relate to
3. Emotional urgency – important action that hooks the reader instantly. The reader must know up front what’s at stake...what stands to be lost? In other words, conflict happens immediately.
4. An interesting setting – the setting enhances the emotion and tone of the story.

Notice anything about the above rules? They all involve eliciting emotions from the reader. Feelings are what keeps us engaged. In order to be truly engaged, the reader needs to be actively concerned about a character’s sanity, safety or soul. The reader must be interested in the story outcome. If that doesn’t happen-–if the reader doesn’t care what happens to the character, why read on? When I find myself reading a story I normally wouldn’t read, it’s because I care what happens. My emotions have been engaged. As authors, it’s our job to make the reader care about what happens.

Think about the best books you’ve read recently. Do they have all the elements above in...say...the first three to five pages?